Orchestration team for composer Lennie Moore. Developer: Appeal. Publisher: Bigben Interative.
Composer, club scene merengue. Director and writer: Arly Flores.Sun Valley Music Festival (virtual music festival, 2020)
Orchestral audio editor.
Symphonic meditation on water and light in the San Francisco Bay Area. 11.5 min.
Symphony orchestra. 3.5 min.
Hybrid orchestral trailers for a mock undersea action/adventure game. Each 2 min.
Found-sound, cross-globe collaboration with my husband on travel in Austria. 4 min.
Comissioned by the Helia Music Collective and Jeff Anderle for the SFCM Clarinet Ensemble; premiere March 23, 2022. 7.5 min.
Written for remote performance during the 2020 pandemic; premiered by the Friction Quartet using Streamyard. 5 mvmts, 9 min.
Just a shimmer of de Victoria's choral masterwork. 5 min.
Very excited to have completed sessions with five wonderful musicians over at 25th Street Recording in Oakland. Strings & horns next. Watch this space. . . .
Ovid's creation story for six voices and Persian daf. Latin. 7 mvmts, 18 min.
Musings on Homo sapiens for SATB choir and 3 soloists. English. 3 mvmts, 10 min.
Traditional greetings of peace in Hebrew, Latin and Arabic. SATB. 1 min. Third prize, San Francisco Conservatory of Music Biennial Choral Composition Competition.
7-voice lament and reconciliation with loss. English. SSAATTB. 4.5 min.
Chamber opera-in-miniature. 2 soprani, tenor, and piano quartet. English. 12 min.
Songs without words for solo voices and cello. Premiere Oct. 2022 by soprano Winnie Nieh, mezzo Nikola Printz, bass-baritone Sidney Chen, and cellist Doug Machiz. Approx. 3 min. each
Original text and song for tenor & piano. Premiere Dec. 2021 by tenor Jonathan Smucker and pianist Monica Chew. 3.5 min.
Nursery-rhyme-inspired art song. Tenor & piano. Collab. with poet Roberto Rodriguez. 3 min. 2nd prize, San Francisco Conservatory of Music Biennial Art Song Competition.